Kevin Neece began his career interest in film while working as a Dishwasher at Alamo Drafthouse Lake Creek. It was there that he began his fascination with curating and editing bootleg video mixtapes. After he walked off the job in 2010, he spent several early creating montage music video preshows that started out as Homage to Harry Hurwitz The Projectionist and then eventually just became extensive music video shows where films relating to the main feature would be condensed into show music videos running all the way up to thirty minutes to an hour. Lars Nilsen told Kevin Neece that no theater in America would ever run his Video Mixtapes, and early YouTube frequently blocked them, thus up until now, Kevin Neece has never really has the ability to properly showcase his early work until now. Kevin Neece would later use his editing talents and video detective skills to bootleg the preshow work of Horror Remix editor EJ Anttila, and Alamo Drafthouse programmers Laird Jimenez, Sarah Pitre, Henry Maza, and Craig Ries, so that he could collect some form of their editing work for himself.